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The image doesn't do justice to what was 'magical'
backlighting, with the subject being water drops on grass. |
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.jpg) Mammoth Hot Springs. I decided to leave the sky in as
it looked a bomb had gone off if I didn't! |

Above, a section of Canary Spring on Mammoth
Terrace in the northwest corner of Yellowstone. |
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Dawn at Yellowstone lake near West Thumb. The geyser
activity give shots like this their mood. |
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The
Gray Jay is easily photographed in Yellowstone's picnic areas,
and is not to be confused with the Clark's Nutcracker which has
similar coloring but a much larger beak and darker wings.
I cut my photographic teeth on bird photography back in Wales in
the 70's, and I learnt that one needs to plan ahead, be patient, and get a sharp
focus on the eye. |
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The Old Faithful Geyser set against a
moody sky. |
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Lower Falls on the Yellowstone River sits at the top of the
Grand Canyon of the Yellowstone and is one of the Park's major
attractions. Although the Artist's Point scene is a common
favorite, left, my personal preference is to take groups closer in at
mid-afternoon each autumn and shoot from the north rim where the
back-lit spray is a subtle enhancement to an already spectacular
scene. |
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Pronghorn Antelope are mostly found
in the northern reaches of Yellowstone, and just beyond the
boundaries if you know where to look. |
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 Big Horn Sheep |
 Knowing a good spot to find Moose on Yellowstone Lake leads to a
little bit of time lingering in that area in the hopes of an image
such as the one below. However,
when the 'stars' forget to show one can turn one's attention to
other worthy subjects such as this silhouette of a dead pine
tree.
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 This was
one of those rare magic moments at Yellowstone Lake, and as you
can see by the movement of the Moose calf, I was using a slow
shutter speed. The was a 210 mm with an aperture
setting of f5.6 as no 'deep' depth of field needed in this
situation. So from Yellowstone back to the Tetons . . .
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No less magical
were this cow Moose and calf in Grand Teton National Park. |
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Dawn
at Oxbow Bend in the Grand Tetons where many photographers gather
but miss this beautiful watery expanse when opting to shoot from the road. Each to his own of course, which makes
for better positioning at water's edge for my small groups anyway.
The peak is 12,605' Mount Moran and the expanse of water is an oxbow off
the Snake River. |
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Another year and
another time. Early snow in the autumn, and not a winter shot! |
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A last Oxbow Bend shot taken around
45 minutes after sunrise. |
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Buck
and rail fences are fairly common in the west, and every group
I've taken to the Tetons since 1989 has had to endure my
'encouragement' to point a wide-angle lens at this composition.
My feeling is that the fence provides not just a frame to
strengthen the composition, but also a
strong sense of place.
Note the yellow
Aspens in the middle of the picture which were far more abundant
at that spot prior to a fire ravaging the area in the early
1980's. |
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 As
one trips one's way to the first image at the top of this page,
one could easily miss a very simple but effective classic such as
this. Well, erm, not Travel Images' groups though!
Another classic Teton
barn at right that used to have some very photogenic old gates in the
foreground. They were replaced by a barbed wire fence in the early
90's, so one has to find some fresh foreground interest. |
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The Tetons have a
nice collection of Aspen groves especially on the east side of
Jackson Hole. Shots like these are all about symmetry, and being
able to master the technical side and capture the image that you
have visualized. |
.jpg) Getting
a little closer to and Aspen leaf, and you see something to
rival New England . . . well, sorta. Collectively though, groves of
aspen trees make very nice 'frames' for peaks in Grand Teton and
Rocky Mountain National Parks.
At right
back to Oxbow Bend for a couple of
sunset images. The first really explains why we need clouds in some
skies. Take away the clouds, and you have nothing for the light to
'dance' with.
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Two Mule Deer bucks
foraging within camera reach in the Tetons. |
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.jpg) Jenny Lake |
.jpg) String Lake. |
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I take my groups to a Wyoming ranch on each
photo tour for 'real' Wrangler
images. No two visits are the same, and subsequently the pictures
are always very different. For this shot we asked the Wrangler to
lead his horse up the slope . . . then headed to the laptop to work
on some visual options. |
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This one is with the sun still above Grand Teton
peak, whereby I should have used a graduated gray/split neutral density filter to tone down the
harsh 'hot spot'. |
.jpg) Hang on, shouldn't they be riding into the
sunset, and not the opposite?! |
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 Looking barn-wards,
images such as this are in abundance at such places. |
 With this kind of image you need to 'see'
it
first. I call this type of shot, 'Still life on the run.' |
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Set the horses free
after a hard days work, and they like to gallop to their overnight
pasture. |
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Shot from the
valley floor, the light and mood combine for a very nice Teton range
image. |
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The
community of Moose, formerly Menors Ferry, is where you'll find the
Chapel of the Transfiguration. I have framed it with a
buck and rail fence for this
shot. |
The
inside to outside view from the Chapel of the Transfiguration. The
view from the altar window is befitting of the Creator himself. There is only one drawback to this scene, and that is the 50 plus
flies I had to clone out of the image! |
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 A dramatic autumn view of what has become known as
the Snake River Lookout. |
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Moose thrive in
Grand Teton National Park, and this Bull is captured crossing the
Snake River. |
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Nothing more than
the Grand Teton mountain range at twilight. Beautiful. |
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Yellowstone + Tetons winter photo gallery
Yellowstone + Tetons autumn brochure
Yellowstone + Tetons winter brochure |
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