
Multnomah Falls in the Colombia Gorge is a
spectacular 620' double falls,
but for this shot I opted for a
time exposure composing a portion of both
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Mt. Jefferson shot from the south face of Mount Hood.
Gorgeous clouds, eh? |
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Trillium Lake provides the 'frame' for Mount Hood. This
was a long tripod exposure shot at an aperture of f.22, hence the 'soft'
barely discernable water. |
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A Crater Lake, Oregon pair. It's tranquil today, but like Mount St.
Helens, the landscape was shaped by some sort of
catastrophic event that took place eons ago. |
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Bunchberry, above, is found
in abundance in Pacific Northwest forests, and right,
gorgeous mossy rocks in the Clearwater Falls near Crater Lake.
If you like those 'soft water' effects ya' gotta use a tripod
and a shutter speed of a 1/15th of a second or slower. |
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The Heceta head light on the Oregon coast. |
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An Ochre Sea Star Starfish on the Oregon coast.
Blending in at bottom left are several more! |
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Somewhat harsh lighting, i.e. overly contrasty, for
these wet stones above, while for the shot below a
overcast light and a long
exposure is ideal.
Cape Kiwanda at right
will always be a coastal classic. |
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Here is a collection of mages from Cannon Beach,
Oregon. Noted for it's sea stacks, this shot is from Ecola State Park.
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Above is a moody Haystack Rock and Needles
composition, while below the Needles look
magnificent while silhouetted against the Pacific sunset. |
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Above and below, I often wonder if the gulls on those
rocks say to themselves, "Whoa!, look at that sunset"? |
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Above, one last wide view of the Cannon beach
'sentinels', and below a shot in 'available darkness.' This a
one minute exposure in which, by using a tripod, the rocks remain
sharp, but the water turns to a fine mist. |
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Sol Duc Falls above sits in an old growth forest
in Olympic National Park. Consequently there are some
sublime 'fine art nature studies' to be found while going to and from the
falls on foot such as the pair below. |
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Going to and from
Sol duc Falls we encounter old growth forests. In my opinion overcast light is
preferable in forests to the contrast provided by direct sunlight
such as at right. That is, unless you're doing close-ups, for
example, the two images above. As it it happens it was
overcast for those shots anyway.. |
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An Olympic Marmot in Olympic
National Park. For a few weeks of the year they like to
catch some morning sun and see what is going on around their
world. |
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A young Mule Deer, also in Olympic National Park
above and at right, Indian Paintbrush up close. |
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A nicely side-lit Mule Deer with an Olympic Mountain
backdrop. |
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The Seattle skyline well after sunset. A
shot that's well worth the wait.
This was an overcast evening, so it does get better than this. |
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The Seattle to Mt. Rainier corridor often provides images such as this one
above, while the shot at right is typical of what can
be found on any of my trips.
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On every Pacific
Northwest trip I feel that it is of great
photographic benefit to take clients to Northwest
Trek because, let's face it, one doesn't have time
every day to pursue shots such as these. Above
is a Beaver, right is a Wolf, and
below are Otter and Lynx. Other animals
photographed easily on each visit are Owl, Eagle,
Raccoon, Bear, Coyote and more. |
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The first of a Mt. Rainier selection, with
the shots at left and below being late light
images. |
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Left, 180' Narada Falls, and above, a
Mount Rainier view from Reflection Lake. We shoot here at both
dawn and sunset. |
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Green harmony in the form of a Hellebore
shrub on Mt.
Rainier. |
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Lastly, a sunset on the
mountain looking west to close the day. |
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Above right, Mt. St. Helens as it
looked in 2007. The dome visible in the top middle of the
image is increasing in size all the time.
The foreground of that image plus the shots above left,
and left
attest to the power of the blast at that historic moment
back in 1980.
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Pacific Northwest by Jay H. Levin |
Pacific Northwest by Joe Smith |
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